This was such a creative idea and I think it turned out really well. I like that you know what it is as soon as you look at it but the longer you stare at the photo the more detail you see in how you positioned the squares.
In your next iteration of these you can vary the shadows relative to depth from the ground plane. You can also look at David Hockney’s work to see his edge treatment and consider how you might expand the canvas to reveal the underlying edges. The linear repeats in your hair and brow line in the first two portraits creates an effective rhythm.
I love your different facial expressions and the way you patch the fragments up is so natural and interesting.
This was such a creative idea and I think it turned out really well. I like that you know what it is as soon as you look at it but the longer you stare at the photo the more detail you see in how you positioned the squares.
In your next iteration of these you can vary the shadows relative to depth from the ground plane. You can also look at David Hockney’s work to see his edge treatment and consider how you might expand the canvas to reveal the underlying edges. The linear repeats in your hair and brow line in the first two portraits creates an effective rhythm.